Pritzker Prize–winner Wang Shu and Lu Wenyu, his partner, tie a museum and cultural complex in Fuyang to China’s rich traditions of landscape painting.

The first of six monographic exhibitions at the Louisiana Museum of Modern Art will examine the work of China’s only Pritzker Prize–winner.

Shared concerns shape our thinking about both sustenance and shelter, as this book edited by Samantha L. Martin-McAuliffe demonstrates.

The team that worked with Michael Graves on this Shanghai restaurant's original design reimagines the Beaux-Arts space.

A Shanghai-based firm creates a landscape of books in Hangzhou, China.

When architects—or politicians, for that matter—speak of walls, they usually see them as boundaries dividing one place from another.

At 985 feet long, an abandoned Panasonic television factory in Beijing offered tantalizing potential as a cultural space—and huge challenges.

A short walk down a ramshackle alley typical of Beijing’s hutong neighborhoods leads to a pivoting steel door deeply recessed between a pair of gray-brick buildings.