Six critics examine the state of American architecture from their hometowns. Taking the measure of American architecture depends on where you look. What’s generating buzz in Chicago might not resonate in L.A. And the issues driving design in Miami might not mean much in New York. Although big-name, international architects are working all over the United States—Renzo Piano, for example, has current or recently completed projects in New York, Chicago, L.A., San Francisco, and Atlanta—smaller, domestic firms are playing important roles, too. This mix of big and small, global and regional is shaping the American architectural landscape. The projects shown
With its ethereal, milky-white skin and faceted curves, Frank Gehry’s IAC Building stands out against the heavy, industrial structures surrounding it on the western fringe of Manhattan’s rapidly evolving Chelsea neighborhood.
Toronto, Canada Gehry International Photo courtesy David Thomson The late media mogul, art collector, and patron Kenneth Thomson David Thomson Clifford Pearson: What was your relationship to your father and this project? David Thomson: My father and I were very close. We both pursued art. It was an extension of our relationship. Frank and my father really connected on this project. The intensity of feeling between them was remarkable and is reflected, I think, in the spaces Frank created for the art. This was the special outcome of this project. Frank’s relationship with my father allowed him to take more