Architecture buffs will likely know the Sheats-Goldstein Residence as John Lautner’s Beverly Hills space-age masterpiece. Others may recognize it as pornographer Jackie Treehorn’s pad in the 1998 Coen Brothers' film, The Big Lebowski. Beginning today, the Los Angeles County Museum of Art (LACMA) will consider it an impending part of its collection.
“He is not dreaming,” the Chicago Tribune confirmed in 1956 after an 87-year-old Frank Lloyd Wright declared that he could build a mile high skyscraper near the city’s Adler Planetarium.
On March 18, when the Metropolitan Museum of Art opens an annex at Madison Avenue and 75th Street in Manhattan, it will be attempting to shrug off the ghost of a museum past.
Bjarke Ingels continues to write his west side story with yet another icon along the Hudson River. Today, developer Tishman Speyer unveiled the architect’s design for The Spiral, a 65-story, 2.85 million-square-foot office tower.
In late 2013, Kanye West visited the Harvard Graduate School of Design and said, “I really do believe that the world can be saved through design,” and “everything needs to actually be ‘architected.’” For many, this collision of hip-hop and architecture was unexpected, and the staid crowd of architectural professionals reacted, let’s say, defensively.
One day in 1962, Oscar Niemeyer found himself strapped into the seat of a helicopter thundering over a tract of land on the outskirts of Tripoli, Lebanon. After two circuits over the city, the nervous architect (Niemeyer hated flying) told his project manager, “OK, we can go back. I’ve decided the best location for the fair.”