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“People thought New York was finished,” says Architectural Record editor in chief Cathleen McGuigan, thinking back on the days after September 11, 2001. “People didn't understand how a city could go on.” But in the decade that followed, the city and country did carry on, spurred by tragedy into new conversations about politics, security, and architecture.

By the time Joshua Prince-Ramus was hired to design what is now called the Ronald O. Perelman Performing Arts Center at the World Trade Center, Charcoalblue, a theater design firm with studios in New York and London, had already come up with a layout for the building's three performance venues.

While we celebrated Labor Day weekend, Paris kicked off its annual Design Week. 

The Beinecke Rare Book & Manuscript Library at Yale University, designed by Gordon Bunshaft of Skidmore, Owings & Merrill, is a modernist masterpiece.

The annual showcase, now in its eighth edition, will feature a lineup of more than 30 feature-length and short films, all focused on architecture and design.

Brooklyn-based conceptual artist Jill Magid spent years plotting the perfect proposal—the location, the rock, the words—but what she had in mind was a bit different from most.

Before they were starchitects, many designers were child prodigies.

Ma Yansong may be known for creating hallucinatory architectural forms—from a mountain-inspired residential complex to a horseshoe-shaped hotel—but now the architect has put a kid-friendly spin on his approach.

The bright white trailers started arriving in late 2005, weeks after Hurricane Katrina laid waste to hundreds of thousands of homes along the Gulf Coast.