A Prescription for Campus Care: Lake|Flato renovates and expands an outdated health-services facility at Arizona State University, Tempe. Built as two structures in 1953 and 1968, the Health Services'Tempe Building (HSTB) at Arizona State University (ASU) had become inefficient and out of rhythm with the vibrant, growing campus around it. Designed by San Antonio'based Lake | Flato in collaboration with architect of record Orcutt | Winslow of Phoenix, the overhauled, 36,900-square-foot HSTB is light-filled, inviting, and designed for LEED Platinum certification. Its gardenlike environment is a refuge for the campus's 60,000 students when they need medical treatment and guidance. Located
Lightfair Roundup A look at some of the latest LED technologies and systems on display at Lightfair International, North America’s largest annual architectural and commercial trade lighting show, held in Philadelphia in April.
Launched a year after her death, a new line of Italian-made glass lighting fixtures embodies the fluid, sculptural aesthetic that made Eva Zeisel a design icon.
When Hungarian-born Eva Zeisel died in 2011 at the age of 105, she left behind a legacy as one of the most influential ceramic artists and designers of her generation.
A hodgepodge of tightly packed additions connected to an 1878 Neo-Renaissance building by German architect Oskar Sommer, the Städel Museum dominates a stretch of cultural institutions along Frankfurt's Main River with an eclectic formality.
While glittering new high-rises sprout everywhere in Shanghai, gems of Western-style architecture from the early 20th century can still be found throughout the city.
Barn Again: Mixing materials and methods from the vernacular and the modern, a Japanese architect creates a timeless retreat for the sculpture of two German artists.
Mixing materials and methods from the vernacular and the modern, a Japanese architect creates a timeless retreat for the sculpture of two German artists.
Stitches in Time: A well-executed renovation, along with a few carefully conceived insertions, weaves together a museum’s trio of stylistically distinct landmarks.
The Yale University Art Gallery (YUAG) is inaptly named. The word “gallery” doesn't convey the institution's size and its almost encyclopedic scope, with holdings that number more than 200,000 objects encompassing an array of eras, cultures, and media.