An innovative pinwheel plan brings daylight into a rugged cubic building that strengthens the public realm's imprint in a historic part of the Texas capital.
The Strong Silent Type: For a contemporary art center, an architect plays with light and transparency to create a new home for the collection as well as an experience for discovering it.
While Rennes, the capital of France's Brittany region, does not make most travel guides' must-see lists, the university town of 200,000 still has its charms: crooked medieval streets lined with half-timbered buildings, stately 18th-century edifices, and cafés that spill out onto picturesque squares.
It's safe to say that the San Francisco Planning Commission never envisioned a bay window like the ones architect Anne Fougeron created for the Flip House.
Open Platform: Treating weighty materials with a light hand, a local design team transforms a former warehouse into a communal workspace for cloud developers.
The cloud has an image problem. The term — which refers to the distributed networks of servers that store data and power all kinds of Internet services — gets tossed around a lot, but it doesn't evoke much beyond a vague nimbus of Amazon orders and MP3 files.
Cultural Bridge: On a thickly overgrown slope of Hong Kong, Tod Williams and Billie Tsien create a journey through time and space for the Asia Society.
Over several decades of designing together, Tod Williams and Billie Tsien have steadfastly emphasized the serene and assured manipulation of spaces, planes, and materials, and exhibited an impeccable sense of craft.
The Art of the Matter: On the site of a former parking garage, Annabelle Selldorf creates a gallery building that exudes restrained drama and quiet rigor.
'It is special and ordinary at the same time,' says architect Annabelle Selldorf while standing on West 20th Street in Manhattan's Chelsea neighborhood.
For the Renaissance Barcelona Fira Hotel, sited near a convention center on the highway to the city's airport, Jean Nouvel took on the challenge of making meaningful architecture out of what Rem Koolhaas famously defined as “junkspace“—the anonymous, generic sprawl that rings cities everywhere.
Medicine Chest: In Vancouver, a new campus building for pharmaceutical studies conceived by Gilles Saucier makes a bold statement while reshaping its context.
Iconic designs don't always make good places. Photogenic buildings that assert themselves as individual landmarks may ignore their context and fail to enhance the public realm.