A four-level, 27,000-square-foot performance hall with an auditorium on the two main floors, office space on a small third floor, a lounge and parking below plaza level, and three additional floors of subterranean parking.

A three-story, 50,000-square-foot classroom and research building at North Carolina State University, with lecture halls, laboratories, advising offices, a television production studio, video editing suites, and an internet caf'.

A 110,000-square-foot, 20-story residential tower with 67 live-work lofts and a fitness center on the mezzanine.

Like many metropolitan areas in the West, Tucson has its share of generic strip malls and sprawling subdivisions.

Architects assigned to create an addition to an existing structure often face a delicate task.

The ubiquitous “Keep Austin Weird” movement seems more defined by what it’s against — big-box stores, Mediterranean-style buildings, Hummers — than what it’s for.

Toward the turn of the 20th century, the world’s fair as galvanizing cultural phenomenon had long been capturing the collective imagination, while its more demure cousin, the regional expo, busily proliferated in its shadow.

With its undulating roof profile, the Coliseums, a complex built for the 2010 South American Games in Medellín, Colombia, appears as a mountain — albeit a caricature of one — in the midst of the city.

Corporate office buildings used to offer architects the chance to tap into fat construction budgets and make serious design statements.