The evocative title of the exhibition Cities of Artificial Excavation: The Work of Peter Eisenman, 1978–1988 at the Canadian Centre for Architecture in Montreal in 1994 turns out to be an oracular description of the architect’s City of Culture of Galicia in northwest Spain. Eisenman’s project of a lifetime, now 12 years in design and construction, has involved serious digging and earthmoving to create topographical man-made structures that blur figure and ground. With two buildings just open, the complex’s raw state presents an artificial landscape of thrashing, gnashing stone creatures restlessly rising up from the earth before subsiding into calm
A public plaza featuring a 12-story, 86,004-square-foot office tower for the coffee trading company Neumann Gruppe, two 7-story towers at 52,689 square feet and 47,684 square feet, and 105,109 square feet of underground parking and mechanical space spread over three underground levels.
The free-form shapes and autumn-colored louvers of two sibling office buildings are studies in contrast to the surrounding business district, proving that chart-topping efficiency can be sleek and comfortable, too.
The free-form shapes and autumn-colored louvers of two sibling office buildings are studies in contrast to the surrounding business district, proving that chart-topping efficiency can be sleek and comfortable, too.
Program: A 108,000-square-foot mixed-use complex for Shop & Trade, a clothing import and distribution company, with offices, a supermarket, and 97,000 square feet of underground parking. Two four-story office blocks form an L shape around the supermarket and overlook a garden, which doubles as a green roof for the market. Shop & Trade's offices are housed in the larger block set behind the store; the other office block rises in a narrow tower to the west and includes leasable office space. The development is part of a ten-year effort to revitalize an industrial neighborhood; a mile down the road, Kokkinou
An office building in the Bronx Zoo seems as natural to the site as the surrounding parkland and accommodates multiple programs with minimal resources. Staring out the window is part of the job description.
Since launching their eponymous Paris-based practice in 1992, Dominique Jakob and Brendan MacFarlane have produced a series of exuberant projects that wouldn’t look out of place in a sci-fi film.