Art breaks the rules” is an idea Pomona College’s art faculty hoped its new building would convey, recalls department chair Michael O’Malley.

It’s an urban oasis, an indoor landscape, and an effective solution to brand a university campus otherwise lost in the chaos of downtown Toronto. Designed by Snøhetta in collaboration with local firm Zeidler Partnership Architects, Ryerson University’s new Student Learning Centre is an audacious bid to redefine the concept of an inner-city student commons. “The program is amazingly open,” says project architect Michael Cotton, of Snøhetta’s New York office. “It’s almost like a 10-story lobby. Sometimes we call it a library without books.” 

The City College of New York (CCNY) is a bit like an academic Acropolis. Situated in Upper Manhattan on one of the island’s highest points, its collection of early 20th-century neo-Gothic buildings, by George B. Post—and more recent additions by architects that include Skidmore, Owings & Merrill and Rafael Viñoly—sit high above the surrounding neighborhood of townhouses and low-scale apartment buildings.

In developing the ceramic facade for a revamped studio-art wing for Macalester College’s Janet Wallace Fine Arts Center, the architects at Minneapolis-based firm HGA started to feel as if they had enrolled in an art class of their own.

Eleven billowing white fiberglass panels, each stretching more than 65 feet high, fold around the front of Christian de Portzamparc’s flagship store for Christian Dior in Seoul." A narrow gap in the draped facade reveals the glazed entrance framed by a delicately perforated metal skin.

Located on a remote island amid Japan’s Seto Inland Sea, the Teshima Art Museum is a one-room gallery that behaves like a work of art.