In 1910, Cubism was beginning to make itself known, though some of the artists that Gelett Burgess, a draftsman and illustrator by trade, writes of, such as Picasso, had already made something of a mark (the "Blue Period" was several years in the past). But this essay, which Burgess shopped around before having it purchased by Architectural Record, has become known as a seminal work on this group, even though it is not taken entirely seriously.
Architecture buffs will likely know the Sheats-Goldstein Residence as John Lautner’s Beverly Hills space-age masterpiece. Others may recognize it as pornographer Jackie Treehorn’s pad in the 1998 Coen Brothers' film, The Big Lebowski. Beginning today, the Los Angeles County Museum of Art (LACMA) will consider it an impending part of its collection.
When Seattle-based designer John Van Dyke visited Cabo Corrientes for the first time nearly a decade ago, he found a kind of place he thought no longer existed.
Let us not confuse outward show, however impressive, with an essential truth which is still indistinct in the whirlpool of an epoch in the full tide of evolution.
Since the parts of a building have been industrialized, it has naturally occurred to certain intelligent designers that the whole might eventually be treated in the same manner: hence various schemes for single family unit houses, designed for greater mechanical efficiency.