We may be in the era of the end of men (as recent headlines and Atlantic writer Hanna Rosin’s zeitgeisty book suggest), but it’s hard to imagine that the field of architecture will ever run out of them. Though roughly 41 percent of U.S. architecture students are women, they account for only about 17 percent of firm principals and partners, according to a membership study by the American Institute of Architects.
Architecture isn’t always an equal opportunity profession. Later this month, the Pritzker Architecture Prize will be awarded to the Chinese architect Wang Shu at a ceremony in Beijing. It’s an exciting choice—though it’s worth noting that the prize did not include Lu Wenyu, his wife and architectural partner in the firm they founded together, Amateur Architecture Studio, in Hangzhou.
The University of Pennsylvania plans to announce today that Marilyn Jordan Taylor, FAIA, a long-time partner at Skidmore, Owings & Merrill, will be the new dean of its School of Design.
The complexion of America’s architects has been a subject of introspection and discussion since at least 1968, when Whitney Young, Jr., president of the National Urban League, chastised attendees at the AIA’s national convention for the scarcity of African-American and women practitioners.
If you go by newspapers and monthly consumer magazines, you might think there is only one female architect designing significant buildings today—Zaha Hadid. To be sure, the London-based, Iraqi-born architect deserves acclaim for her inventive assortment of zoomy structures completed in the last few years. But what about the rest? Aren’t there other talented women architects out there, who, like Hadid, run their own design practices?
