In the past few years, New York City has been valiantly trying to turn around its deserved reputation for treating innovative architecture like an exotic disease that should be stamped out by courageous developers, bankers, and government officials.
New York City Renzo Piano Building Workshop with FXFOWLE Curtain-wall ingenuity eliminates the fear factor Fear factor. That was the obstacle the New York Times and its New York–based architect, FXFOWLE, faced when it was time to bid the curtain wall for the media giant’s new headquarters in Midtown Manhattan. Design architect Renzo Piano conceived of a brise-soleil made of horizontal rods to project 18 inches from the curtain wall. Simple in concept, confounding in execution, when one imagines finding a strategy that would work for a 52-story tower. “While this approach has been achieved on a smaller scale in
Although the Cooper-Hewitt exhibition “Provoking Magic: Lighting of Ingo Maurer” represents less than one-third of the German designer’s oeuvre, the show’s 53 pieces reveal the staggering breadth of Maurer’s imagination.
The design for the New Museum, which the Tokyo-based firm Sejima + Nishizawa/Sanaa first revealed in 2003 for New York City’s only all-contemporary art institution, layers six off-kilter white boxes above a formerly grungy block on the Lower East Side.
The Four Seasons Hotel New York has unveiled its new 4,300-square-foot penthouse suite with nine rooms, ceiling heights up to 25 feet, and breathtaking city views.
With its ethereal, milky-white skin and faceted curves, Frank Gehry’s IAC Building stands out against the heavy, industrial structures surrounding it on the western fringe of Manhattan’s rapidly evolving Chelsea neighborhood.
The downtown boutique aesthetic that emerged in New York City’s SoHo loft district in the late 1970s caught on––and stuck around––largely because it showed off arty clothes to striking effect.