Diller Scofidio + Renfro, FXFOWLE, and L'Observatoire turn the Brutalist 1960s Juilliard building into a glittering staging ground for young performers.
Admirers of the 1906 Morgan Library & Museum who felt that Renzo Piano’s 2006 expansion overshadowed the historic rooms of J. Pierpont Morgan’s former study and library — housed in an Italianate marble building designed by McKim, Mead & White principal Charles McKim — can banish pangs of resentment.
A 98,000-square-foot, seven-level building that includes architecture and painting studios, exhibition galleries, a reading room, classrooms, faculty offices, a café, a dining room, a green roof, and, below ground, a 500-seat performance and event space as well as a 100-seat black-box theater.
Simple, serene, calm, safe. Not the usual terms used to describe living spaces in New York City, but those are the words chosen by at least one half of the couple renting the West Village carriage house owned by photographer Jan Staller, and designed by New York City–based firm Christoff:Finio Architecture.
NewYork-Presbyterian Hospital’s dense web of mostly older buildings at its 20-acre campus in Upper Manhattan is not unusual for medical complexes constructed over many decades.
Ben van Berkel, principal of the Amsterdam-based architectural firm UNStudio, is known for his breathtakingly swoopy designs of sleek surfaces that never seem to end. The gleaming, aluminum-clad Mercedes-Benz Museum in Stuttgart, Germany, with its double-spiral-ramped concrete structure, convincingly argues the case [RECORD, November, 2006, page 128]. After completing that nine-story-high, 270,000 square-foot building, you might think that a 5,840-square-foot (gross) residential loft would be too rinky-dink a commission. Van Berkel argues otherwise: “I’m not interested as much in the scale of a project as with the program,” he explains. In this case, he was asked to design a loft
Completion Date: January 2009 Owner: Marc Jacobs International Program: An expansion of Marc Jacobs' eighth-floor SoHo showroom onto the floor below, adding new showrooms for ready-to-wear and accessories, offices for sales and public relations, and an office for the company president, for a total of 10,000 square feet. Design concept and solution: The Stephan Jaklitsch team sought to design an environment for buyers and editors continuous with the Marc Jacobs brand. The palette of materials—ebonized wood floors, custom sycamore millwork, nickel vitrines and lighting—recalls the Marc Jacobs stores, as does furniture by Christian Liaigre. Video monitors set into the showroom