In April, RECORD steps inside a quintet of interiors, all uniquely complex and all designed to accommodate diverse—and discerning—users: Manhattan office workers, art students, space tourists, Chicago skyscraper dwellers, and San Francisco-based employees of the world’s largest architecture firm. The projects featured in the special Sustainability in Practice section, which examines technology, policies, and materials paving the way for a cleaner future, are no less impressive: an energy research hub, a NASA communications lab, and a 53-story tower in Boston. Also in the issue we talk with 2024’s Pritzker Prize laureate, Riken Yamamoto, and with AIA Gold Medalists David Lake and Ted Flato.
Check back throughout the month for additional content.
The 2020 Design Vanguard's makeover of an 1,800-square-foot unit honors the Hancock Center's distinctive exoskeleton with striking structural elements.
Strategic interventions, such as a sculptural steel stair and double-height corridor, transform the School of the Art Institute of Chicago's disjointed Flaxman Library into a cohesive learning hub.
RECORD dives into the challenges of sustainable building through multiple perspectives, from envelope-pushing projects to material and technical innovations that promise industry-wide change.
While some court rulings have challenged city gas bans, experts say market incentives and stricter building codes are accelerating the construction industry's decarbonization push.
As architects seek more environmentally friendly materials, the natural stone industry is embracing more sustainable practices such as water recycling, renewable energy, and site restoration.
A growing movement is reviving load-bearing masonry construction, using innovative techniques to overcome stone's limitations and reduce embodied carbon.
The Japanese architect speaks to RECORD about the importance of community as a social construct and as the driving force of his architectural design over five decades of practice.
The project’s lucid celebration of craft and materiality came about through a seasoned ensemble of collaborators, from expert carpenters to ‘mudslinging’ plasterers.
The Albuquerque-based AIA Gold Medalist made his mark on New Mexico and the American Southwest—and beyond—with high-profile cultural commissions and academic projects.