John King is the San Francisco Chronicle’s urban-design critic. He is the author of Portal: San Francisco’s Ferry Building and the Reinvention of American Cities.
From superblocks to revamped office and industrial spaces to new structures that combine supportive and market-rate housing, home takes on a whole new meaning in the 21st century.
At once history lesson and labor of love, this book explores how 1960s Boston came to be a showcase of unapologetic, often superscaled masonry modernism.
At once history lesson and labor of love, this book explores how 1960s Boston came to be a showcase of unapologetic, often superscaled masonry modernism.
During any given week, I’m told, 100 or more design buffs take self-guided tours of the San Francisco Federal Building (SFFB) by Pritzker Prize'winning architect Thom Mayne.
At a time when the notion of omniscient master architects is seen by many critics as passé, a day-long design conference in San Francisco suggested that the concept remains in vogue with the wider public.
When architect John Galen Howard mapped a Beaux-Arts plan for the University of California, Berkeley campus in the early 20th century, one of the first buildings erected in its spirit was Durant Hall—a two-story steel-framed structure completed in 1911 and wrapped in granite along classical lines.
Bay Area architects see their affordable housing work as part of a long tradition of progressive culture and urbanism. That concern can spawn buildings where the aesthetic goal is to fade into the background—as is the case with many San Francisco affordable-housing projects from the 1980s and ’90s. Now, especially in more transitional districts, there’s a desire to make a splash, not just among bureaucrats or architects, but nonprofit developers who often represent a new generation of decision-makers. Photo ''Brian Rose One of Baker’s frequent clients is Citizens Housing Corporation, a 16-year-old company that has 23 complexes in the Bay