Amsterdam’s Zuidas financial district is distinguished by the work of an impressive roster of architects, such as Toyo Ito, Rafael Viñoly, and Pei Cobb Freed, all of whose designs fit into a traditionally corporate atmosphere.
Breathing new life into old buildings, a hospitality brand offers lodging that blends the informality of a hostel with the comforts of a boutique hotel.
A design team digs down to artfully connect a historic museum to a building across the way. In the hands of Dutch architect Hans van Heeswijk, the Mauritshuis, a 17th-century mansion in The Hague that later became the Netherlands' first museum, has undergone an impressive expansion.
By Michiel van Raaij. nai010 Publishers, May 2014, 240 pages, $25. For more than a century, ornament in architecture was anathema in the Calvinist Netherlands—and elsewhere too. In his book Building as Ornament: Iconography in Contemporary Architecture, Michiel van Raaij, who is the editor in chief of the online architecture platform Architectenweb, interviews 10 well-known architects and architectural historians to reveal how this attitude has changed since the 1990s. The moralism of modernism, though, has not yet completely disappeared: “A successful ornament,” writes van Raaij, “represents a virtue and explains the function, status, structure and context of the building.” An
In one particularly humorous episode, the old television program Candid Camera tried to sell a house that had no toilets. (It was remarkable how many potential buyers didn't notice the defect.)
In a gravity-defying act of daredevil modernism, a villa in the Dutch province of Zeeland seemingly floats above the surroundings it was named after—the former 60-acre Kogelhof farm.
Peak Performance: A concert hall carves its own niche in the Austrian Alps while bowing to the neighboring midcentury playhouse and the breathtaking landscape beyond.
In the picturesque Austrian village of Erl, just east of the German border, where the rugged Alps seem to descend from the heavens to meet the undulating valley below, a striking, angular structure, the Tyrolean Festspielhaus, or Festival Hall, pierces the landscape that inspired it.
Beyond Boundaries: The Belgian firm C.T. Architects' solution for a client who uses a wheelchair shows a keen sense of spatial relationships and materials with universal appeal.