Aric Chen digs through the multiple layers of David Chipperfield's Common Ground exhibition in our first post from Venice Anupama Kundoo's Feel the Ground. Wall House: One to One at the Arsenale Despite beginning and ending with gusts of rain, yesterday’s first day of previews at the 13th Venice Architecture Biennale mostly cast a sweltering sun over Common Ground, the main exhibition at the Arsenale. At first reckoning, the theme, chosen by exhibition director and UK architect David Chipperfield, doesn’t sound all that different from Kazuyo Seijima’s intriguingly prosaic People Meet in Architecture from 2010. But while Seijima’s Biennale will
Zaha Hadid's proposed aerodynamic, scrolling form. According to multiple sources, Jean Nouvel has been selected to design a mega-sized new building for the National Art Museum of China (NAMOC) in Beijing. If reports are true, the Pritzker Prize–winning French architect has beat out Frank Gehry and Zaha Hadid to snag the highly coveted commission. One well-placed source (who, like others, asked not to be identified because he was not authorized to speak on the record) says all three architects were informed of the decision on July 18. The source added that an official announcement will not come until November, after
Medieval Armor for Modern Art: Architects Florian Idenburg and Jing Liu mesh an expanding gallery's third building into a tightknit urban community, creating a singular work in its own right.
Water Music: Packed with references to music, math, and more, a hybrid building finds a way of disarming visitors and dancing lightly above a rippling surface of water.
Completed last spring at the northeast corner of Tiananmen Square, the world's biggest museum stands up to the enormity of Beijing's central public space.
When architect Zhang Ke set up Standardarchitecture in Beijing, he chose the name because “it sounds neutral. It doesn’t imply any specific form,” he says.
Since the 1970s, Hugh Hardy’s work for the Brooklyn Academy of Music (BAM) has run the gamut, spanning new cinemas and a café for the experimental film and performing arts venue to, most recently, a faithful restoration of the 1908 facade of its historic Peter Jay Sharp Building. But one job was left unfinished: “We needed to install a permanent entrance canopy,” says Hardy, FAIA, the principal of New York–based H3 Hardy Collaboration Architecture.