Francis Kéré takes the top prize for a secondary school in his rural Burkina Faso village. The 2012 Global Holcim Award winners were announced today, with Berlin-based architect Diébédo Francis Kéré taking the Gold Award and $200,000 for a secondary school he designed for his native village of Gando, Burkina Faso. As Kéré’s practice has grown (with current projects in countries ranging from Switzerland to China) he has remained dedicated to improving conditions in his 6,000-person village. He has designed, raised funds to build, and coordinated the construction of public buildings from a primary school—for which he won the Aga
Taiwanese architect and 2011 Curry Stone Prize winner Hsieh Ying-Chun helps a Chinese village rebuild for the better after an earthquake, using local expertise and materials.
Of the three new buildings that compose Tod Williams and Billie Tsien’s Center for the Advancement of Public Action (CAPA) at Bennington College in Vermont, it is the program-less “Lens” that best represents the iconoclastic institution where students have been designing their own curricula since 1932.
One of 20 football facilities that Architecture for Humanity is designing across Africa for the nonprofit Play Soccer, the Oguaa center is a place for disadvantaged youth to learn soccer, health, and social skills.
At New York’s Center for Architecture, an exhibition of models quietly constructed in Iraq shows 20th-century dreams for the city. Image Venturi, Scott Brown and Associates, Inc. Venturi, Rauch and Scott Brown, Project for the Competition for a National Mosque of Baghdad, 1982, Baghdad, Iraq. Click the image above to view additional image from City of Mirages: Baghdad, 1952-1982. Related Exhibition: In addition to the Baghdad exhibition the Center for Architecture is simultaneously showcasing current work in the greater Middle East. On view through June 23, CHANGE: Architecture and Engineering in the Middle East, 2000-Present, strikes a hopeful note on
The dome is a marvel, but as an adult, Chesler was more struck by the Mid-Century modern building beneath it, designed by Gropius prot'g' John Terence Kelly.
No Shades of Gray: Ellsworth Kelly has been collaborating with architects since the 1950s, and his latest project with Peter Zellner turns an L.A. gallery into public art.
When architect Peter Zellner first unveiled his design for the new Matthew Marks Gallery in West Hollywood, it was met with enthusiasm from the planning department and the mayor. But the city has strict design guidelines on the books: New buildings must have windows and architectural detail. The gallery was, well, an “ice cube,” says Zellner, and Marks was in uncharted territory, choosing to make his West Coast debut in the scruffy neighborhood between La Brea and Fairfax Avenues rather than the established art scene in Culver City.
Divide and Conquer: In a district plagued by years of bond failures and overcrowding, a high school initiates a fresh start with collegiate learning tracks and a complementary campus.
In a district plagued by years of bond failures and overcrowding, a high school initiates a fresh start with collegiate learning tracks and a complementary campus.
The architect discusses winning this year's Driehaus Prize, which honors classical architecture and traditional urbanism, and how he plans to spend the $200k award. 2012 Driehaus Prize winner Michael Graves Photo courtesy University of Notre Dame School of Architecture Michael Graves is better known for appropriating traditional forms in his monumental Postmodern compositions than for being a strict classicist, so it may seem surprising that in December he was named the winner of the 2012 Driehaus Prize, which celebrates architects who advance classicism in their work. Graves, the founding principal of the New York- and New Jersey-based firm Michael Graves