Structural base isolation—effectively “floating” a building on rubber pads to safely ride out an earthquake—is nothing new in California. But the isolators installed for the structural and architectural renovation of Pasadena’s 1927 City Hall, designed by Bakewell and Brown, represent an innovative approach for addressing historic structures.
Where the Michigan project is more of a conventional structural cantilever, the new K Clinic in the Japanese city of Nara, just outside of Osaka, takes a minimalist approach to integrate the architecture fully into the structure. The Tokyo architect and engineer Akira Yoneda, whose firm, Architecton, was chosen for record’s 2004 Vanguard, had less program space to incorporate for his client, a dermatologist who had briefly studied architecture while in college. The doctor asked Yoneda to design a building that would make a statement along the city’s main street. The clinic is located in a ground-level structure, while the
Perhaps the most famous cantilever in America is one of the shortest: Frank Lloyd Wright’s 1935 design for the exterior concrete terraces at Fallingwater, the longest of which extends a mere 15 feet to hover over the rush of Pennsylvania’s Bear Run stream. Much has been made of the ongoing structural repairs the cantilevers have needed since they were built, but there has never been a question about preserving them.
Hootman’s role within the USGBC is yet another hallmark of the sustainable design director. Many architects who championed green design early on in their firms often played significant roles in the development of the USGBC’s local chapters, as well as the national organization. For example, Ritchie has served for the past five years on the materials and resources technical advisory group for the USGBC’s LEED program. Another well-trod track for architects who have advocated green issues in their firms is the AIA’s COTE, which exists as one of the AIA’s “knowledge communities” with branches in the many local chapters. Sandy
In April 2006, the actor Brad Pitt and the nonprofit organization Global Green USA launched a sustainable design competition in hopes of spurring the redevelopment of New Orleans, post-Katrina. It certainly isn’t shocking that a Hollywood star, albeit one with a home in New Orleans, would want to raise awareness about the devastated city, but perhaps it is surprising that a celebrity could so meaningfully engage the sustainable design community with such a gesture. Pitt, it seems—like Leonardo DiCaprio and Al Gore—has become a sort of sustainability guru for the larger public, even narrating the on-going sustainable design television series
Former President Bill Clinton took the stage at the U.S. Green Building Council’s sixth annual Greenbuild conference in Chicago yesterday morning and, before a crowd of 6,000 people who gathered to hear his keynote address, described the green building movement the nation’s largest economic opportunity since the country mobilized for World War II. “It’s not going to be easy, but we have to move away from the carbon economy,” Clinton said, adding that he considers green building to be “perhaps the most important cause we can be involved in today.” In a lightly political speech—we are facing an election year,
Sustainable Design: Ecology, Architecture, and Planning, by Daniel E. Williams, FAIA. Hoboken, New Jersey: John Wiley & Sons, 2007, 304 pages, $75. High-Performance Building, by Vidar Lerum. Hoboken, New Jersey: John Wiley & Sons, 2007, 304 pages, $70. The Designer’s Atlas of Sustainability, by Ann Thorpe. Washington, D.C.: Island Press, 2007, 225 pages, $29.95. We seem to have two camps emerging in the nascent field of sustainable design: an informed one that remains sensitive to the high aims of architecture, ecology, and site, and then one we might call “design services 2.0,” a kind of appliqué of green technologies onto
After three years of contentious negotiations, the Czech Republic city of Brno has agreed to restore the Tugendhat Villa, a landmark of early Modernism designed by Ludwig Mies van der Rohe and completed in 1930. The house, which currently operates as a museum, will close October 31.