A circular building treated as a monolithic, self-contained volume can be unforgivingly oppressive.

A new restaurant in New York's West Midtown has a vibrantly designed interior based on the basketball player's obsessions.

In the Supertall! exhibition at the Skyscraper Museum in Lower Manhattan [on view July 27–February 19, 2011], we set a benchmark higher than the standard 300 meters used by the Council on Tall Buildings and Urban Habitat (CTBUH).

American architects are exporting a luxury product of a dimension and scale few clients in the United States can afford at home: the supertall skyscraper—that is, a skyscraper over 1,250 feet tall.

This is the Year of the Museum for Tod Williams Billie Tsien Architects. While the firm’s new Barnes Foundation in Philadelphia is preparing for a late May opening, and its Asia Society Hong Kong Center opened in February, the New York firm was just selected by the Hood Museum of Art at Dartmouth College in Hanover, New Hampshire, to undertake a major expansion and renovation of its 1985 structure.

Architects understandably yearn to be their own clients, especially when it comes to their homes.

Bruges may be best known for its centuries-old stepped-gable structures edging cobblestoned streets and narrow canals, and for its urban squares enclosed by idiosyncratic Gothic and Flemish Renaissance buildings.

Long-term residents of an informal community in danger of being priced out of a district of metropolitan Santiago are able to stay near schools and jobs owing to the construction of subsidized housing.