Photo courtesy James Walden In the archival photo above, Walden is the teacher standing in the background. Photo courtesy James Walden In the 1960s, James Walden and two colleagues started an architecture school in East Pakistan, now Bangladesh, as part of a USAID initiative. He recently returned to give a keynote address at the school's 50th-anniversary celebration. Starting an architecture school in a developing country was not part of my life plan when I launched my career more than half a century ago. Yet in 1960, five years after graduating from Texas A&M University with a B.Arch. and three years
This month, Architectural Record introduces a new column featuring McGraw-Hill Dodge's construction-economics intelligence. To start things off, we're looking at the office-building market. Click the image below to view our latest data. Source: McGraw-Hill Dodge Analytics Click the image above to view a full presentation of these stats [PDF].
After a period of neglect, efforts have grown to rescue the Oklahoma City theater that Harvard Five architect John Johansen considers his masterwork. Click on the slide show button to view additional images. In Oklahoma City, John Johansen’s 1970 Mummers Theater has long been one of those love-it-or-hate-it buildings. Now called the Stage Center, the structure is a whimsical assemblage of brutalist concrete forms and brightly colored steel ramps. Hovering above it all are three corrugated metal boxes containing the building’s mechanical systems. A member of the Harvard Five, Johansen, now 95, called the theater “not a building as we
Wang Shu, a 48-year-old Chinese architect whose work explores the intersection of modern technologies and traditional sensibilities, has won the 2012 Pritzker Architecture Prize, announced Thomas J. Pritzker, chairman of The Hyatt Foundation, which sponsors the prize. Wang is the 37th person to win the prize and the first from China.
Pop-up architecture helps boost spirits in earthquake-devastated Christchurch. Re:START is constructed of colorful, stacked shipping containers. Related Links: In Quake-Ravaged Christchurch, Ban's Cardboard Cathedral Ready for Groundbreaking One year after a 6.3-magnitude earthquake struck Christchurch, New Zealand, killing 185 people, much of the city still lies in disarray. The central business district remains restricted to the public, with guards standing sentry at access points. Within this “red zone,” innumerable residential and public buildings have been earmarked for partial or complete demolition, including the iconic, Gothic Revival Christchurch Cathedral, whose 19th-century spire and tower sustained heavy damage. New Zealand economists speculate
A concept model of Ban’s scheme for the Cardboard Cathedral. Related Links: New Zealand Herald: Interview with Head of Earthquake Recovery Authority Shigeru Ban Conceives Simple Solutions for Post-Disaster Zones in New Zealand, Japan A year after a 6.3-magnitude earthquake left Christchurch’s central business district in shambles, Shigeru Ban’s Cardboard Cathedral is ready to start construction. Dividing his time between offices in Tokyo, Paris, and New York, Ban has a stellar track record for helping when natural disasters strike. This time, his pro-bono contribution is a temporary replacement for the New Zealand city’s main Anglican house of worship, a 19th-century
With the Smith Center for the Performing Arts in Las Vegas, David Schwarz brings an earnest take on a historical style to the capital of pastiche. The Smith Center for the Performing Arts by David M. Schwarz Architects The Smith Center neighbors Frank Gehry's Lou Ruvo Center for Brain Health. These days, Las Vegas is best known for its themed casinos (Luxor, Paris, New York, New York) and their intentionally cartoonish buildings. Architects tend to be appalled. In that context, it’s easy to dismiss the Smith Center for the Performing Arts as another ersatz vision for Las Vegas. Unlike the