The public building market has been hampered by the poor fiscal condition of federal, state, and local governments. Even though the economy has begun to improve, this sector’s short-term outlook remains weak. Click the image above to view a full presentation of these stats [PDF].
The artist Iván Navarro takes an anachronistic piece of New York’s skyline and turns it into one of his perception-confounding, selfie-ready installations. They are as much a symbol of New York City as the Empire State and Chrysler Buildings, but far more humble. The wooden water towers that dot the city’s rooflines seem like relics from an older era, and yet they still provide water to thousands of buildings, doing their job well enough that centuries of technological advances have failed to render them entirely obsolete. For his exhibition This Land Is Your Land, Chilean-born, Brooklyn-based artist Iván Navarro planted
TELOS: The Fantastic World of Eugene Tssui premieres at the first Los Angeles edition of the Archtiecture and Design Film Festival.Budding avant-garde architects, especially those hoping to change the profession, would be well-advised to catch the world premiere of TELOS: The Fantastic World of Eugene Tssui (2014) at the Los Angeles edition of the Architecture & Design Film Festival (ADFF) this week. Named after the Greek word for “final purpose,” the documentary follows architect Eugene Tssui, 59, as he champions a fantastical, organic style of architecture that would be more suited to the world created in James Cameron’s Avatar than
The large, enclosing, rectangular frames in a new set move to generate a spatial dynamic on stage. Act Two: The Linden Trees, from Massenet’s Werther, Metropolitan Opera. Most of those thronging to the Metropolitan Opera’s new production of Massenet’s Werther this winter have gone to hear tenor Jonas Kaufmann’s mellifluous singing as the protagonist and the plush sounds of mezzo-soprano Sophie Koch as Charlotte. But some operagoers might also have appreciated the choreographic performance and efficiency of the set, which mechanically slides and shifts in different directions within the shallow space of the three-dimensional stage. In recent years the Met
For 242 State Street, Kundig conceived a 16-by-10-foot guillotine window that can open the 2,500-square-foot interior entirely to the outdoors. Just as the Internet boom has produced winners and losers, so the spoils of Silicon Valley’s growth have been distributed unevenly. Palo Alto, for example, today is home to a Burberry store and SoulCycle fitness studio. Meanwhile, the small commercial core of Los Altos looks ostensibly unchanged from analog days, and struggles to find its footing against larger commercial developments nearby. In 2009, a progressive local business called Passerelle Investment Company was founded to turn the tide in Los Altos’
Worlds of Cityvision will be on view at the WUHO Gallery in Los Angeles through March 23, 2014. The exhibition features urban proposals submitted to international ideas competitions launched by independent architecture lab Cityvision, as well as the lab's own projects. Cityvision team members, left to right: Sebastian Di Guardo, Vanessa Todaro, Joshua Mackley, Boris Prosperini, Ilja Burchard, and Francesco Lipari. The timelessness of Rome—the Eternal City—can be problematic for young architects attempting to break free of its design conservatism. Cityvision, an independent architecture lab based in Rome, offers an outlet by sponsoring competitions, publishing a magazine, and hosting lectures
Two young collaborators organize an art fair like a puzzle. Andrew Feuerstein and Bret Quagliara designed a configuration of temporary exhibition spaces for the Independent Art Fair, which runs March 7-9 in New York City. Art and design fairs often provide a platform for emerging designers—Design Miami has long commissioned installations for its entrance, and Frieze New York’s serpentine tent gave a serious boost to the career of SO-IL, to name a few. But this year, the Independent Art Fair took a risk, hiring a couple of untested young collaborators to design the exhibition spaces at its New York fair,
Richard Meier's new model museum is located at Mana Contemporary, a cultural center and fine arts storage and handling facility that occupies a hulking former manufacturing complex in Jersey City, New Jersey. On the evening of March 5, Richard Meier celebrated the opening of his new model museum in Jersey City, New Jersey. Guests from Manhattan arrived by coach buses, which whisked them below the Hudson River and across the state’s gritty edges to Mana Contemporary, a cultural center and fine arts storage and handling facility that occupies a hulking former manufacturing complex. The collection, which was relocated to its
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