As potential donors gather today at the United Nations to assemble a fund to help rebuild earthquake-battered Haiti, the White House is asking Congress for additional spending to contribute to the reconstruction effort. Haiti is hoping to raise $3.9 billion at the March 31 donors' meeting to cover the initial, 18-month phase of what is certain to be a lengthy reconstruction. The estimated total rebuilding cost is $11.5 billion, the UN says. More than 220,000 were killed in the magnitude 7 quake on January 12, and an estimated 2 million people are living in temporary shelters in Port-au-Prince or have
Der Scutt, FAIA, a New York architect who left his mark on Manhattan’s skyline, died at home from liver failure on March 14. He was 75. Scutt designed numerous notable New York skyscrapers, including Trump Tower (1983), a bronze and glass 58-story building at 721 Fifth Avenue; 100 United Nations Plaza (1986), a 52-story residential tower with sawtooth balconies and a pointed top; and The Corinthian (1988), a 55-story tubular apartment building at 645 First Avenue that gave every living room a semicircular bay window. Scutt’s son, Hagen Scutt, AIA, says his father was a “developer’s architect” who sought to
As architects get involved in rebuilding Haiti after its devastating January 12 earthquake, and debate swirls about what new homes there should look like, a Miami architect has designed a series of prefabricated house and has teamed up with a manufacturer to get the dwellings built.
Kazuyo Sejima and Ryue Nishizawa, partners of Tokyo-based Sejima and Nishizawa and Associates, better known as SANAA, will receive the 2010 Pritzker Prize.
For ten years architects Jeffrey Williams, AIA and Yann Leroy, AIA, and interior designers Kate Greenwood and Paul Greenwood—partners at BBG-BBGM—along with the firm’s Director of China Patrick Lo considered branching out on their own. Frustrated by the constraints inevitable at such a large international architecture and interior design practice, they aspired to a more personal, hands-on working environment. On January 2, they took the plunge and launched studioaria, an office still global in scope, with a similar client base of luxury hotel operators and commercial and residential developers, but scaled down to be able to offer the kind of
Willard Homewood is one of the most storied neighborhoods in North Minneapolis. Known for its grand early 20th century homes, the area was the setting for violent race riots in 1967. More recently, it has become a haven for artists and their families, with one 16-square block now called the Artists’ Core. Photo courtesy City of Minneapolis Architects are invited to submit residential designs for a vacant lot in North Minneapolis. Despite the renewal, Willard Homewood has been hit hard by widespread foreclosures over the years. Some houses have been torn down; others are boarded up. “You have these terrific
An exhibition that presents “soft” infrastructure solutions to rising sea levels around New York opens today at the Museum of Modern Art. Image courtesy Architecture Research Office and dlandstudio Click on the slide show icon to see additional photos. Related Links: Design Teams Propose Solutions for 'Rising Currents' AIA Awards Latrobe Prize to Flood Research Rising Currents: Projects for New York’s Waterfront features drawings and models conceived by five multidisciplinary teams, led by designers from Architecture Research Office (ARO), LTL Architects, Matthew Baird Architect, nARCHITECTS, and SCAPE Studio. The teams produced their schemes from November to January, during an 8-week
Photo courtesy SOM Bruce Graham, FAIA The most visible legacies of Bruce Graham, FAIA, are the Sears (now Willis) Tower and the John Hancock Center, the iconic skyscrapers that bracket Chicago’s skyline like enormous parentheses. But evidence of Graham’s influence can be found in smaller, much-admired Modernist landmarks, such as Chicago’s glistening Inland Steel Building; in the outcome of visionary urban plans, in the tradition of Daniel Burnham, that reshaped Chicago’s celebrated lakefront; and in the hard-driving character of the firm, Skidmore, Owings & Merrill, on which he stamped on indelible imprint. Invariably described as tough and gruff, an architect