The organizers of the first Dubai Design Week chose as its opening night speaker an architect who has never built in Dubai, despite having proposed several projects there.
Announced at the World Architecture Festival, the shortlisted photographs will be exhibited in London early next year. Topping a global pool of entries, Fernando Guerra’s image of EPFL’s Quartier Nord in Eclubens, Switzerland won Arcaid Images’ 2015 Architectural Photography Award.
As order finally returns to the Egyptian capital, will gentrification set in? The built and open spaces surrounding Tahrir Square—the public plaza and staging ground of political demonstrations during the 2011 Egyptian revolution—have undergone a transformation this year: Beaux-arts facades received a fresh coat of paint, a 1,700-space underground parking garage was finally completed, and the square was topped off with a 65-foot-tall flagpole. An International Style hotel known as the Nile Hilton has been reborn as a new Ritz Carlton, and the Stalinist structure which housed former president Hosni Mubarak’s National Democratic Party is now a pile of rubble
Says the architect, "we will continue full-speed ahead." The controversy surrounding Daniel Libeskind’s planned stone-and-glass pyramidal tower in Jerusalem reached fever pitch late last month. Following impassioned objections by groups and individuals, the city approved the plan October 28, but with major changes: officials reduced the height by more than one-third, from 539 feet to 355 feet; ordered the architect to replace the arched arcade around the base with retail businesses that open to the street; and forbade communication devices, such as cell phone towers, above the apex. Ten years were allowed for completion. Asked whether he would stay with
In presenting their work, a number of speakers at the ninth Mundaneum conference on architecture charted personal journeys of finding their professional voices. These tales included moments of doubt and self-criticism, along with humor and discovery.
For its first home, the National Public Housing Museum in Chicago fittingly chose a local public housing architect—not a globetrotting museum designer. After funding is secured, Landon Bone Baker Architects (LBBA) will adaptively reuse the last standing Jane Addams Home—one of the first public housing projects built in the city, named after a Progressive-era reformer—for the fledgling institution. It’s a unique-meta exercise for LBBA, which has excelled at designing community-oriented dwellings in a city with a tortured housing legacy. A museum dedicated to a stigmatized building type isn’t an intuitive choice, but LBBA’s Peter Landon says a closer look reveals
House model; Nayarit, Mexico, 100 B.C.–A.D. 200 Long before rendering two-dimensional designs into three-dimensional models became standard architectural procedure, the indigenous peoples of Latin America represented buildings in small-scale forms to much different ends. Andean and Mesoamerican cultures crafted replicas of temples and houses for funerary and burial rites, and to honor loved ones at shrines. This ritualistic use of the architectural model is the focus of Design for Eternity: Architectural Models from the Ancient Americas, a compact and enlightening exhibition at the Metropolitan Museum of Art that opened Monday and runs through Sept. 18, 2016. The first such show
Superpowers of 10, a play by architect Andrés Jaque and his Madrid-based Office for Political Innovation, starts innocuously enough—the stage-ready version of the iconic Eames’ 1977 short film Powers of 10, performed during the opening weekend of the Chicago Architecture Biennial, reenacts an idyllic picnic on Lake Shore Drive and a journey through space and subatomic particles, using the adorable medium of papier-mâché props on wheels.
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