A new campus museum quietly serves up a visual banquet. It’s tempting for designers to try to turn art museums into works of art themselves. But what if the client’s directive is just the opposite? A new campus museum in the Bay Area by the New York–based firm Ennead Architects may disappoint those hoping for a bigger architectural statement.
The bucolic backdrop of the recently opened Fondation Louis Vuitton, set within Paris’s Bois de Boulogne park, inspired a garden building in the tradition of Joseph Paxton’s long-destroyed Crystal Palace. Like that famous structure, erected in London’s Hyde Park in 1851, Frank Gehry’s billowing new museum features vast expanses of glass.
The Harvard Art Museums, during renovation and expansion, showing the new addition. From Quincy Street, you would never know that the overhauled Harvard University Art Museums, in Cambridge, Massachusetts, lurks behind the puritanically aloof facade of the neo-Georgian Fogg Museum. Even the long boxy volume of Renzo Piano’s addition, which hoists itself one-story above Prescott Street, behind the rear of the Fogg, doesn’t fully disclose its size, even with showy glass cubes poking out at either end. The Fogg is now just one of three merged collections that opened November 16. To accommodate a daunting array of competing programmatic agendas
Sacré Bleu!: High over the treetops in the Bois de Boulogne, Frank Gehry’s contemporary art museum for a French luxury magnate is an astonishing work of architectural couture.