In recent decades, Southeast Asia has become a vibrant laboratory of high-density urbanism with places such as Singapore, Bangkok, and Hong Kong packing more people into taller buildings on smaller parcels of land.
Last month, the American Institute of Architects (AIA) released the results of its 2015 Diversity in the Profession of Architecture survey and the numbers tell a grim—and unsurprising—story: the profession doesn’t look at all like the society it serves.
The Roundabout Theatre’s revival of the 1963 musical She Loves Me, which opened at New York City’s Studio 54 on March 17, scored glowing reviews for its terrific cast, director Scott Ellis—and set designer Rockwell Group.
Preservationists are imploring Russian president Vladimir Putin to take decisive measures to restore Shabolovka Tower, a deteriorating Constructivist masterwork in Moscow.
The New York City Department of Design and Construction (DDC) unveiled a revamped set of priorities March 9 for architects working on public facilities and infrastructure. These four new guiding principles—equity, sustainability, resiliency, and healthy living—align with Mayor Bill de Blasio’s environmental and economic policies.
Since the 1990s, the U.S. State Department has been barred from spending public funds on world expo pavilions. The result has been a series of disasters: the U.S. was a no-show at the expo in Hanover, Germany, in 2000; it then built lackluster, overly commercialized pavilions for the 2005 and 2010 expos in Aichi, Japan, and Shanghai, China.
Foster + Partners, Grimshaw Architects, and Bjarke Ingels Group (BIG) will design a trio of pavilions for Expo 2020 in Dubai. The three firms beat ten competitors in a global competition whose results were announced on March 12.
The newly opened Hauser Wirth & Schimmel gallery, the latest addition to the Downtown Los Angeles Arts District commercial boom, is a behemoth, occupying all 116,000 square feet of a former Pillsbury flour mill complex.