Today, the National Trust for Historic Preservation released its annual list of the most at-risk architectural and cultural sites in the United States.

Today the recipients of the Agha Khan Award for Architecture were announced in Abu Dhabi.

If you want to get a sense for what’s next in ceramic tile innovation, the annual Cersaie exposition in Bologna, Italy is not an event to glaze over.

When the grandchildren of Dwight D. Eisenhower approved a compromise design last week, it seemed likely that Frank Gehry’s memorial to the 34th president would finally get built—perhaps even in time for the 75th anniversary of D-Day, on June 6, 2019.

For more than 60 million refugees, asylum seekers, and internally displaced people around the world, “shelter” has been experienced through relentless movement and escape.

The city of Columbus, Indiana, isn’t just one of the most architecturally-rich places in the United States—it’s also among the most overlooked. Where else can one find works by Eliel and Eero Saarinen, Cesar Pelli, Richard Meier, Kevin Roche, and I.M. Pei, all in thirty square miles? Landmark Columbus, a new preservation group established last year, has been working to elevate the city’s cultural status through the first annual Exhibit Columbus—an “exploration of architecture, art, design, and community” that kicked off September 29.

The Glass House is polka-dotted no more, as Japanese artist Yayoi Kusama’s month-long installation, Dots Obsession – Alive, Seeking for Eternal Hope, at the New Canaan landmark has drawn to a close.

The Victoria & Albert Museum is the nucleus of the London Design Festival, the nine-day city-wide program that grows in scale and scope every year.

Istanbul’s third biennial addresses the question “Are We Human? The Design of the Species: 2 Seconds, 2 Days, 2 Years, 200 Years, 200,000 Years.”