Walking through Louis Kahn’s Center for British Art—where sunlight streams in from skylights, and concrete, wood, metal, and stone combine in precise yet monumental ways—leaves one yearning for the days when museums, quite honestly, weren’t so sterile.
Rumor has it that the quaint town inspired the architecture in Disney’s animated film Beauty and the Beast. But in a recent renovation of the city’s Musée Unterlinden, Herzog & de Meuron made a conscious effort to avoid the preciousness of a Disney film.
When it was founded in 1935, the San Francisco Museum of Modern Art (SFMOMA) occupied one, then two floors of the War Memorial Veterans Building in the Hayes Valley neighborhood before moving into its purposebuilt, Mario Botta–designed home in nearby SoMa in 1995.
The completion of Renzo Piano Building Workshop’s (RPBW) Valletta City Gate comes 30 years after the architect was first invited to remodel the main entrance to Malta’s walled capital.
The CKK Jordanki concert hall emerges like an outcrop of weathered rock from an urban park in Toruń, in northern Poland. Its Spanish architect, Fernando Menis, has yoked such imagery to local architectural references and technical ingenuity to establish a strong character for the building while deferring to its sensitive setting on the edge of the medieval Old Town.