Look closer. That’s the way Janos Korban and Stefanie Flaubert approach their work.

Like shooting stars against a night sky—or a glowing game of pick-up sticks—thin rods of white light dynamically charge the black-box auditorium of the Billy Wilder Theater in the Hammer Museum at UCLA.

The Caixa Galicia Foundation, a regional cultural center designed by Grimshaw Architects, packs a lot of design intensity into a small but prime port-side site in La Coruña, on Spain’s northwest Atlantic coast.

With its ethereal, milky-white skin and faceted curves, Frank Gehry’s IAC Building stands out against the heavy, industrial structures surrounding it on the western fringe of Manhattan’s rapidly evolving Chelsea neighborhood.

People have been living in Rome, the longest continually inhabited place on the planet, for the past 3,000 years.

Rarely does an architect get the chance to add significantly to, much less transform, work done decades before.

In designing Suvarnabhumi Airport, the city’s new international hub, Chicago-based architects Murphy/Jahn realized from the outset that the passenger terminal would need to accommodate a vast scale of operations and express its pivotal importance to Thailand.

In recent years, Christoph Ingenhoven, who began his practice in 1985 in Dusseldorf, has emerged as a formidable player in the architectural market owing to an approach that emphasizes technology and sustainability.