A New Twist on Supertall: An American firm approaches the design of its 121-story, mixed used tower now rising in Shanghai as a vertical collection of neighborhoods.
The tower is located above a cliff-like bedrock profile varying from about 70m to 130m in depth, which posed uncertainties in the use of traditional pile types.
American architects are exporting a luxury product of a dimension and scale few clients in the United States can afford at home: the supertall skyscraper—that is, a skyscraper over 1,250 feet tall.
Water Music: Packed with references to music, math, and more, a hybrid building finds a way of disarming visitors and dancing lightly above a rippling surface of water.
Probing the Depths: A sophisticated research station evokes a long-gone era while serving a modern purpose–the study of human beings' deleterious effects on our water sources.
The Elkhorn River Research Station could be mistaken for a rusting vestige of the steamboat days, left to disintegrate on the riverbank about 30 miles west of Omaha, like so many other industrial cast-offs.
Chelsea Garret: Pieced together from old and new elements and animated by light and shadow, an industrial penthouse serves as an enticing space for understanding the art of Alexander Calder.
Like an architectural therapist, Stephanie Goto stripped away layers of troubles that had weighed on a trio of rooftop sheds in Manhattan's Chelsea neighborhood to reveal their true personality and inner strengths.
Sculpting the Skyline: Architects, engineers, and contractors tackle a challenging geometry to build a supertall tower with a striking silhouette for a desert city.
It is in the nature of tall buildings that rankings are short-lived, but at least for the moment, the 1,354-foot-tall, 77-story Al Hamra Firdous Tower, by Skidmore, Owings & Merrill (SOM), is the tallest building in Kuwait City.
The Great Light Way In January 2005, the Quartier des Spectacles Partnership of Montreal, an organization of area stakeholders dedicated to promoting Montreal’s cultural district, took on an ambitious urban-branding project: creating a cohesive identity for the 20 cultural venues and two public squares that make up the area. With art direction by branding experts Ruedi Baur and Jean Beaudoin, of Integral, the solution is a stunning architectural light show dubbed the Luminous Pathway. The Pathway comprises a double row of illuminated red circles (four-headed LED fixtures mounted on adjacent buildings) that lead pedestrians from place to place. The color
Artist Doug Aitken first visited the Hirshhorn Museum and Sculpture Garden in 2009, on the invitation of its director Richard Koshalek to conceive an entirely mirrored reading room in the lower lobby.