No branch of art covers a wider field than architecture; no branch ministers more to the comfort, luxury, and convenience of the people; yet none receives less attention and encouragement from public sources in America.”

To drive through contemporary Kuwait today, you could hardly guess the context.

Several events that occurred in November point out that green is growing up.

In the cascade of catastrophes occurring in 2005, none struck Americans more forcefully than Hurricanes Katrina and Rita.

When the weather forecasters began to warn that the hurricane might take a turn up the Mississippi River, pass over our scented, magical city, then stall over Lake Pontchartrain, dumping millions of gallons of water on New Orleans, I took one look at my wife and said, "We're leaving."

From the windows of Two Penn Plaza, the offices of Architectural Record survey a tough-talking, broad-shouldered scene straight out of Miracle at 34th Street: It’s where the garment district collides with Macy’s, animated by the daily headlong rush of thousands of commuters inclining toward Pennsylvania Station and home.

As if we didn’t have enough initials to keep up with, three little letters now demand remembering.

I read with great interest and a certain sense of dismay a feature article entitled "After Theory" in the June 05' issue of Architectural Record.

Despite its due criticism of previous theory, Michael Speaks’s essay provides yet another reactionary theoretical analogy to gnaw at the roots of the profession.

The architecture coverage in the June issue was thoroughly engaging, though it was surprising to see that record had allowed itself to become a forum for political and economic ideology.