The two-story storefront at 4611 North Lincoln Avenue on Chicago’s North Side may not be Louis Sullivan’s highest-profile commission, but its delicate ornament and graceful proportions certainly reveal his skillful hand.
The Sheila C. Johnson Design Center establishes a new 32,800-square-foot campus nexus for Parsons The New School for Design by uniting and radically reorganizing the street-level spaces of the school’s four buildings around a new urban quad.
First came the reconstruction. Jianfu Palace Garden (Garden of the Palace of Established Happiness), a compound in the northwest corner of the Forbidden City in Beijing, burned down in 1923.
At a fund-raiser held recently at the Diane von Furstenberg Studio Headquarters in New York City, a guest, Hugh Hardy, FAIA, ebulliantly broke out into a Gershwin tune, “I’ll build a stairway to paradise, with a new step every day.”
Located in New York City’s rejuvenated High Line district, The Cedar Lake Dance Ensemble is a technologically advanced black box theater for an ambitious dance troupe.
Located in a neighborhood that has transformed from turn-of-the century Victorian residences, to a bustling industrial, office, and retail district in the 1920s, to a neglected area of disrepair in the late 20th century, Biscuit Company Lofts is part of a redevelopment movement to revitalize abandoned industrial structures into work-live lofts.
The restoration of the Balboa Theatre,bordering the Gaslamp Quarter Historic District in San Diego, California, recreates the vaudeville-era theatre and movie house to its original 1924 design, while transforming it into a modern performing arts center that accommodates diverse performance programs, as well as community, corporate, and convention gatherings.
In 1982, the Pennsylvania Electric Company abandoned use of the historic Chester Waterside Station on the Delaware River, a 1916 coal-fired electrical power plant.