Gutenberg’s introduction of movable type six centuries ago was a true revolution. The development forever altered the way information was received and disseminated, democratizing knowledge. Printing’s recent move beyond two dimensions could be similarly transformative.
The ambitious environmental agenda of a new elementary school by Skidmore, Owings & Merrill (SOM) on Staten Island, New York, is obvious from the first encounter: almost 1,600 photovoltaic (PV) panels cloak the 68,000-sqare-foot, two-story structure, covering the south facade, extending over its roof, and cantilevering out to float above a playing field.
Dramatically framed by Morphosis’s glassy Federal Building looming behind it, the revived Strand theater, a gleaming red experimental performance space and education center for the American Conservatory Theater (A.C.T.) designed by Skidmore, Owings & Merrill, clicks into its site on San Francisco’s Market Street like one of the final pieces of a complex puzzle.
Diplomatic Position: In the midst of the visual hubbub of China's third-largest city, Skidmore, Owings & Merrill creates an understated ensemble of buildings for the U.S. Consulate General.
Diplomatic Position: In the midst of the visual hubbub of China's third-largest city, Skidmore, Owings & Merrill creates an understated ensemble of buildings for the U.S. Consulate General. The U.S. Consulate General in Guangzhou, China, makes only the quietest of claims within the city's noisy new business district. Designed by Skidmore, Owings & Merrill (SOM), its seven low-rise buildings—offices, screening facilities, a warehouse, and a residence for Marines—dot a 7.4-acre site in the burgeoning Pearl River New Town. Zaha Hadid's opera house lies catercorner to it, and Wilkinson Eyre's supertall IFC Guangzhou and KPF's soon-to-be-supertaller CTF Guangzhou are close by.