Site size: 3.5 acres Project size: 2,400 square feet Program: Bud and Colleen Konheim asked Specht Harpman Architects to design a light-filled, yet private modern cottage on a wooded site adjacent to the Saugatuck River in southwestern Connecticut. Location: The house is in a river valley, a steep 80-foot drop from the main road along the ridgeline. Solution: The architects immersed the concrete and glass house in the landscape so that a series of green rooftop terraces gently step down from the street to the river below. The house, T-shaped in plan, consists of two perpendicular rectilinear volumes: The first,
A family asked Connecticut-based architect Joeb Moore to convert a bulky 1980s-era house into an airy dwelling to accommodate its contemporary art collection and showcase panoramic views of the Long Island Sound.
Stitches in Time: A well-executed renovation, along with a few carefully conceived insertions, weaves together a museum’s trio of stylistically distinct landmarks.
The Yale University Art Gallery (YUAG) is inaptly named. The word “gallery” doesn't convey the institution's size and its almost encyclopedic scope, with holdings that number more than 200,000 objects encompassing an array of eras, cultures, and media.
Located on 75 acres of preserved land in New Canaan, Connecticut, the 65,000-square-foot transparent volume will serve as a headquarters for the nonprofit Grace Farms Foundation.
A three-story public technical high school with 212,000 square feet—82,000 renovated, 130,000 new—including classrooms, offices, science labs, a library, a gymnasium, a wood shop, and an auto shop.
While regarded as one of Eero Saarinen's most distinctive works during his short career, the Morse and Ezra Stiles Colleges at Yale University (1958–62) in New Haven have long seemed more appealing in photographs than in real life.
A 1,700-square-foot museum devoted to pioneer neurosurgeon Dr. Harvey Cushing, located in a sub-basement of the Harvey Cushing/John Hay Whitney Medical Library at the Yale School of Medicine.
With perhaps the exception of the architecture of the Machine Age, buildings across history have collaborated with nature. Tara and its southern kin wouldn’t sport generous porches if their makers hadn’t recognized the need to deflect direct sunlight from interiors.