The Glass House is polka-dotted no more, as Japanese artist Yayoi Kusama’s month-long installation, Dots Obsession – Alive, Seeking for Eternal Hope, at the New Canaan landmark has drawn to a close.
Brooklyn-based conceptual artist Jill Magid spent years plotting the perfect proposal—the location, the rock, the words—but what she had in mind was a bit different from most.
A photography exhibition now on view at the Venice Architecture Biennale chronicles the architect’s fascination with capturing the beauty and banality of cities.
In Zurich, the walls of Galerie Gmurzynska’s latest exhibition, Kurt Schwitters: Merz, ripple and swell with the last art installation designed by Zaha Hadid.
Three of the most eloquent voices at the Venice Architecture Biennale addressed different aspects of the same question: Can architecture improve lives in Africa?
Australia didn’t get the memo. Its contribution to the 15th Venice Architecture Biennale, which opens to the public Friday, is a celebration of swimming pools.
For some, architecture has a unique ability to transpose fantasies into reality. And if you were an urbane heterosexual male in the last half of the 20th century, there weren’t many better fantasy generators than Playboy.