Pierre Chareau made a lasting name for himself in the annals of architectural history with one seminal work, the Maison de Verre in Paris, completed in 1932.
For more than 60 million refugees, asylum seekers, and internally displaced people around the world, “shelter” has been experienced through relentless movement and escape.
The Glass House is polka-dotted no more, as Japanese artist Yayoi Kusama’s month-long installation, Dots Obsession – Alive, Seeking for Eternal Hope, at the New Canaan landmark has drawn to a close.
Brooklyn-based conceptual artist Jill Magid spent years plotting the perfect proposal—the location, the rock, the words—but what she had in mind was a bit different from most.
A photography exhibition now on view at the Venice Architecture Biennale chronicles the architect’s fascination with capturing the beauty and banality of cities.
In Zurich, the walls of Galerie Gmurzynska’s latest exhibition, Kurt Schwitters: Merz, ripple and swell with the last art installation designed by Zaha Hadid.