A large-scale residential complex in a mountain region and UNESCO Heritage Site 250 miles southwest of Shanghai steers clear of the typical urban high-rise.
Pritzker Prize–winner Wang Shu and Lu Wenyu, his partner, tie a museum and cultural complex in Fuyang to China’s rich traditions of landscape painting.
Behind the somewhat awkward name of the Bi-City Biennale of Urbanism\Architecture (UABB) in Shenzhen and Hong Kong—now in its sixth and fifth editions, respectively—lies a correspondingly awkward reality.e