Swiss architect Gus Wüstemann defines his design approach as “program-free architecture,” in which “everything that contaminates the space with a program disappears.”

An 800-square-foot basement space for a sneaker and fashion footwear company, housing a press office and a showroom that doubles as a VIP meeting room.

A 26,910-square-foot brand showcase for the Spanish bathroom-fixture company, with offices and a garden at the basement level, a museum of the brand on the ground floor, a showroom on the first floor, and an event space on the second floor.

When asked to sharpen the corporate image of the Spanish furniture manufacturer Ofita for visiting designers, architects, and specifiers, the Milan-based design and architecture firm King & Miranda transformed the company’s Madrid offices and showroom—located on two adjacent floors—into an integrated sales tool using a spare vocabulary of textural elements, colors, and lighting strategies.

The National Museum of Roman Art in Mérida, Spain (1984), was one of the first projects that brought Rafael Moneo to the attention of the American architectural scene.

Located on the Mediterranean coast almost 300 miles southeast of Madrid, the port city of Cartagena is rich in a history that dates back more than 2,000 years, when it was a stronghold of ancient Carthage.

Tucked away in a sleepy corner of northeast Spain, the town of Teruel has long been a tourist destination for buffs of medieval architecture and history.