In 1910, Cubism was beginning to make itself known, though some of the artists that Gelett Burgess, a draftsman and illustrator by trade, writes of, such as Picasso, had already made something of a mark (the "Blue Period" was several years in the past). But this essay, which Burgess shopped around before having it purchased by Architectural Record, has become known as a seminal work on this group, even though it is not taken entirely seriously.
The bucolic backdrop of the recently opened Fondation Louis Vuitton, set within Paris’s Bois de Boulogne park, inspired a garden building in the tradition of Joseph Paxton’s long-destroyed Crystal Palace. Like that famous structure, erected in London’s Hyde Park in 1851, Frank Gehry’s billowing new museum features vast expanses of glass.
Sacré Bleu!: High over the treetops in the Bois de Boulogne, Frank Gehry’s contemporary art museum for a French luxury magnate is an astonishing work of architectural couture.
In one particularly humorous episode, the old television program Candid Camera tried to sell a house that had no toilets. (It was remarkable how many potential buyers didn't notice the defect.)
Paris-based architect Jacques Moussafir laughed and then had to count out loud when asked exactly how many floors exist in the 1,650-square-foot house he designed for a bachelor in the city's fashionable Latin Quarter.
A feast for the Phantom: A masterful insertion transforms the porte cochere of the Palais Garnier opera house into a seductive haunt worthy of its legendary specter.
Hermès’s newest emporium has an unassuming facade and a pair of store windows with displays of furniture and flowers that fit neatly into the bourgeois row of shop fronts on the rue de Sèvres in Paris’s 6th arrondissement.