Renzo Piano Building Workshop bridges a historic structure and a grand public space with its trademark Classicism at The Art Institute of Chicago's Modern Wing.
Chicago, Illinois Renzo Piano Building Workshop The Modern Wing: Where a Familiar Type Soars Renzo Piano’s Modern Wing at the Art Institute of Chicago isn’t simply the best new building to hit Chicago in years. It represents the triumph of a type — the art museum with parallel masonry walls, generous expanses of glass, and an oversailing roof that serves as a louvered sunshade for galleries below. When Piano introduced this type at his Beyeler Foundation Museum near Basel, Switzerland, in 1997, it was overshadowed by the hoopla surrounding Frank Gehry’s eruption of titanium in Bilbao. Yet time has revealed
Project Specs The Art Institute of Chicago'The Modern Wing Chicago, Illinois Renzo Piano Building Workshop << Return to article the People Architect Renzo Piano Building Workshop in collaboration with Interactive Design Inc., architects (Chicago) Design Team: J. Moolhuijzen (partner in charge),D.Rat, C.Maxwell-Mahon with A.Belvedere, D.Colas, P.Colonna, O.Foucher, A.Gallissian, S.Giorgio-Marrano, H.Lee, W.Matthews, T.Mikdashi, J.B.Mothes, Y.Pagès, B.Payson, M.Reale, J.Rousseau, A.Stern, A.Vachette, C.von Däniken and K.Doerr, M.Gomes, J.Nakagawa; Y.Kyrkos, C.Colson, O.Aubert (models) Consultants: Structure: Ove Arup & Partners Services: Ove Arup & Partners + Sebesta Blomberg Civil engineering Patrick Engineering Structure for bridge interface with Millenium Park: Wiss, Janey, Elstner Associates Inc
Located in a Chicago highrise that overlooks the skyline and Lake Michigan, this contemporary art gallery and guest residence is designed to display works of art with spaces of varying scale.
Set on a donated sliver of land between two elevated train lines in Chicago’s South Side, the Lavezzorio Community Center in the SOS Children’s Village makes both a visual and actual connection between the village’s housing complex for children to the south, and the Auburn-Gresham neighborhood to the north.
The two-story storefront at 4611 North Lincoln Avenue on Chicago’s North Side may not be Louis Sullivan’s highest-profile commission, but its delicate ornament and graceful proportions certainly reveal his skillful hand.
Like the imposing towers lining the edges of New York’s Central Park, the street wall of historic skyscrapers fronting on Chicago’s Grant Park exist as built topography—a man-made cliff of stone and brick that includes such seminal structures as Adler & Sullivan’s robust Auditorium Building.