Wettstein created one of his best-known furniture designs, the lightweight Juliette chair for Baleri Italia, before turning 30. As the story goes, Philippe Starck—whose own early furniture designs were produced by Baleri Italia—suggested to Wettstein that he meet with Enrico Baleri, the company founder. But Mr. Baleri didn’t make things easy for Wettstein. “I told him that I lived on a hill on the outskirts of Bergamo,” Baleri recalls. “I didn’t give him an address or a phone number, and told him that if he found me within 24 hours, I would look at some of his designs. The next day, he rang my doorbell.”

 

From that meeting, a 20-year working relationship was born: Wettstein went on to design tables, sofas, and more chairs for the company, including the boxy armchair Capri, its best-selling product and the recipient of the Compasso d’Oro prize in 1994. Wettstein also designed furniture for Cassina, Molteni, Bulo, Arflex, Wittmann, and Erik Jørgensen; lighting for Artemide and Oluce; and in true Swiss fashion, several pioneering timepieces. His 1982 lighting design, Metro, for the Swiss company Belux, was the first low-voltage system on contact wires. He also was among the first to dabble in the emerging organic light-emitting diode (OLED) technology. “Hannes was curious and always seeking information,” says Baleri, “but the overriding element of his design was the quality.”

 

His design work extended beyond products to include art direction, corporate identity, and interiors. He did the interior design for several Swiss embassies across the globe, most notably the Steven Holl-designed Residence at the Swiss Embassy in Washington, D.C., completed in 2006.

 

Wettstein will be commemorated during a celebration on August 14 at the Fraumünster church in Zurich.