In Situ at SFMOMA by Aidlin Darling Design
San Francisco
The architects devised a range of casual seating areas. In addition to the bar tables, there is a low-slung lounge as well a long window seat that overlooks the street.
Photo © Matthew Millman
More than 66 feet long, a wood-slat canopy spans the lounge and dining areas, leading toward an artwork by Tucker Nichols on the rear wall.
Photo © Matthew Millman; Tucker Nichols, Specials, 2016. Commissioned by SFMOMA; courtesy of the artist and Gallery 16, San Francisco
Black-ened half-inch-round steel rods define the entry.
Photo © Matthew Millman
Rendered in shades of white, a mural by Rosana Castrillo Diaz visually shifts depending on the light.
Photo © Matthew Millman; Rosana Castrillo Diaz, Break This Heart, 2016. Commissioned by SFMOMA; courtesy of the artist and Anthony Meier Fine Arts, San Francisco
A cement scratch coat adds texture to the dining room.
Photo © Matthew Millman
Floor Plan
Image courtesy Aidlin Darling Designs
Partially screened by a wall clad in cold-rolled steel plate, the kitchen provides glimpses of the craft involved in creating edible works of art.
Photo © Matthew Millman
The expansive ceiling installation of wood slats by the architects is a riff on a food-drying rack.
Photo © Matthew Millman
Inspired by the rough-hewn work of British sculptor David Nash, bar-height tables made from salvaged cottonwood have craggy undersides that speak to San Francisco’s pen- chant for natural wood. Overhead, slender blackened-steel pipe pendants are an homage to The Lightning Field by Walter De Maria.
Photo © Matthew Millman
Patrons enter In Situ from the lobby of the original 1995 SFMOMA building by Mario Botta.
Photo © Matthew Millman
Located in SFMOMA, In Situ overlooks the street with a window wall that invites passersby into its comfortable lounge and dining area.
Photo © Matthew Millman
Architects & Firms
A museum is all about curation. It now seems that a museum restaurant should also be curated, at least according to chef Corey Lee, who had an inspired concept for the San Francisco Museum of Modern Art’s new flagship eatery. At In Situ, every dish is from the menu of a top culinary outpost elsewhere. For instance, the restaurant’s changing menu might include Wylie Dufresne’s shrimp grits from New York’s wd~50 and a dessert of wood sorrel and sheep-milk yogurt by René Redzepi from Copenhagen’s Noma. Given the eclectic origins of the offerings, the backdrop could have defaulted to a gallery-like sterility. But local firm Aidlin Darling Design created a space that is very much in situ, with subtle details that delight the visual palate.
SFMOMA recently unveiled a major addition and renovation by Snøhetta, which located the 6,300-square-foot restaurant in former café and event spaces off the lobby of the original 1995 Mario Botta building. The dark-toned room smoothly segues from the museum’s entry, which has a black and gray granite floor. According to chef Lee, “I didn’t want the space to feel like a typical restaurant, but an extension of the museum where food happened to be served.”
Inside, the floor is concrete, the ceiling is black expanded metal mesh, and the walls are finished in white paint, dark gray acoustic felt, and cement scratch coat. “The idea was to create a raw shell, with a mediating layer, and a few carefully placed elements,” says principal David Darling, so “the food becomes the final art in the space.”
Custom-crafted furnishings reinforce the artful qualities. Inspired by the rough-hewn work of British sculptor David Nash, bar-height tables made from salvaged cottonwood have craggy undersides that speak to San Francisco’s penchant for natural wood, without devolving into cliché. Overhead, slender blackened-steel pipe pendants are an homage to The Lightning Field by Walter De Maria. An expansive ceiling installation of wood slats by the architects is a riff on a food-drying rack.
In keeping with the museum’s mission of making art accessible, the architects devised a range of casual seating areas for 130 people (two-thirds of the space is for walk-in customers). In addition to the bar tables, there is a low-slung lounge as well a long window seat that overlooks the street. The dining area features simple tables with ash tops and sculptural Osso chairs by Paris-based designers Ronan & Erwan Bouroullec. Partially screened by a wall clad in cold-rolled steel plate, the kitchen provides glimpses of the craft involved in creating edible works of art.
PeopleArchitect: Aidlin Darling Design Personnel in architect's firm who should receive special credit: Partners: Joshua Aidlin AIA and David Darling AIA Engineers: Structural Engineer: GFDS Engineers Consultants Kitchen Consultant: Harrison Koellner, LLC General contractor: Plant Construction Photographer: Matthew Millman 415-577-3200
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ProductsStructural System Existing steel framed building by Mario Botta Exterior Cladding Custom designed steel window aperture in to existing aluminum storefront system; fabricated by Hardman Glazing Systems Windows Metal frame: Custom Steel Windows by Hardman Glazing Systems Glazing Glass: Oldcastle Monolithic and Oldcastle Acoustic IGU (at interior separation between restaurant and museum lobby) Doors Entrances: Custom Wood Panel Entrance Door - Acosta Millwork Metal doors: Boyett Door & Hardware Co. Wood doors: Boyett Door & Hardware Co. Sliding doors: Boyett Door & Hardware Co.; Haefele Hawa Sliding Door Hardware Fire-control doors, security grilles: Cornell Coiling Doors Upswinging doors, other: Eliason Co. - Dual Swing Stainless Steel Door with Window (at Kitchen) Hardware Locksets: Schlage Closers: Besam - Assa Abloy (Recessed closer at Entrance Door) Exit devices: Lithonia Lighting Pulls: FSB; IVES; SUGATSUNE Interior Finishes Acoustical ceilings: Dining Room - AMICO Alabama Metal Industries Corporation: Architectural Series Expanded Mesh Panels; Kitchen - USG Celebration Metal Ceilings Suspension grid: Dining Room - Unistrut International; Kitchen - USG Cabinetwork and custom woodwork: Custom Woodwork - Acosta Millwork Paints and stains: Benjamin Moore Paneling: Acoustic Wall Panels - Filz Felt Akustika 10 Wall Plastic laminate: Wilsonart Solid surfacing: Corian Floor and wall tile: Kitchen and Bathroom Floor and Wall Tile – Daltile Furnishings Fixed seating: All Custom Designed by Aidlin Darling Design Chairs: -Lounge: Jean Bar Stool - by e15; Tuxedo Leather Settee's and Ottomans - by Herman Miller; Osso Low Stool - by Mattiazzi; Mao Pouf - by Manifesto Design Tables: All Custom Designed by Aidlin Darling Design Custom Concrete Servering Credenza - Concretework Lighting Interior ambient lighting: Custom Designed Pendant Light (over lounge) Designed by Aidlin Darling Design - Fabricated by Boyd Lighting Track Lighting: Tegan Lighting Tasklighting: Kitchen: Metalux Ceiling Grid Lights Exterior: Front Door Stem Light: BK Lighting Dimming system or other lighting controls: Lutron Plumbing Toto High Efficiency Flushometer Valve Energy Add any additional building components or special equipment that made a significantcontribution to this project: Hestan Ranges (Kitchen)
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