Design Vanguard 2015

Arch Studio, Beijing

A 5-year-old firm uses tension between the historic and the modern to create harmonious places.

By Clifford A. Pearson

Arch Studio, Beijing — *Photo © Wang Ning*

**Rongbaozhai Coffee Bookstore**

*Photo © Wang Ning*

**Rongbaozhai Western Art Gallery**

Located in a two-story building on Liulichang West Street in Beijing, this project for the Rongbaozhai Western Art Gallery was inspired by traditional Chinese screens, which are recalled in folding partitions that can reconfigure a large space on the second floor as smaller galleries. The partitions have wood slats at the top and bottom to allow light and air to circulate and are cousins to the fixed floor-to-ceiling slats on the first floor (left). A wall of wood drawers and inset vitrines on the first floor, along with a glass-enclosed stair and polished white floors throughout the project, establish a minimalist aesthetic that is sleek but engaging.

*Photo © Wang Ning*

**Teahouse in Hutong**

After analyzing the five small structures of a crumbling courtyard house in one of Beijing’s hutong neighborhoods of courtyards and alleys, Han decided to repair the two oldest and rebuild the other three. He inserted a glass-enclosed corridor that snakes around the 4,850-squarefoot L-shaped compound to define a trio of small new courtyards. The original wood columns and restored wood roof timbers in the old structures bring the past alive in this contemporary place for enjoying tea and retreating from the hectic pace of modern Beijing.

*Photo © Wang Ning*

**Courtyard House**

As he does in many of his projects, Han manipulates traditional materials and strategies here to create a thoroughly modern work. This 3,200-square-foot house in an old part of Beijing has the same gray bricks as its older neighbors, but they’re set in courses with spaces in between, so light and air can filter into an entry courtyard. Two other yards—on one side and at the rear—create an intriguing back-and-forth between inside and out and bring daylight into the small building on a tight site

*Photo © Wang Ning*

**Great Wall Museum of Fine Art**

Arch Studio converted an old pharmaceutical factory in the town of Zi Bo in Shandong Province into a museum, taking advantage of the long-span concrete structure to display art. The architects designed a glass-walled hallway that weaves around and inside the 40,000-square-foot structure from the 1940s, contrasting new and old and connecting a series of galleries, a bookstore, a tearoom, and a multifunction space.

*Photo © Wang Ning*

**Rongbaozhai Coffee Bookstore**

*Photo © Wang Ning*

**Rongbaozhai Western Art Gallery**

*Photo © Wang Ning*

**Xinsi Hutong House**

Arch Studio renovated an existing house in one of Beijing’s Hutong neighborhoods, inserting a new skylit staircase and dividing interior spaces with slatted screens that allow light and air to flow throughout the 1,725-square-foot building. And by painting all interior surfaces white, the architects gave the project a uniform, modern look.

*Photo © Wang Ning*

**Lelege Art Space**

Contrasting warm oak surfaces with white epoxy resin ones creates an intriguing tension in this sleek 3,200-square-foot art gallery in Beijing.

*Photo © Wang Ning*

**Teahouse**

*Image courtesy Arch Studio.*

A short walk down a ramshackle alley typical of Beijing’s hutong neighborhoods leads to a pivoting steel door deeply recessed between a pair of gray-brick buildings. Go through it and you are immediately swept away from the noise and frantic pace of the big city. A sleek glass corridor connects a trio of the tiny courtyards that comprise hutongs and a set of one-story structures, three of which are new and two that have been restored. Old and new, indoors and out fuse seamlessly. What had once been a crumbling courtyard residence now serves as a teahouse and retreat for the owner, a dealer of painting and calligraphy. The way the design resolves opposing elements says much about the work of Han Wen Qiang, who founded Arch Studio in Beijing in 2010. “What I want to do is find the wisdom of Chinese tradition and convert it to the construction of contemporary space that responds to the needs of today’s society,” says Han.

Born in Dalian, a coastal city about 300 miles east of Beijing, Han studied architecture at the China Central Academy of Fine Arts (CAFA) in Beijing, where he now teaches. As a student at CAFA, one of the top arts schools in China, he was drawn to architecture because it could “influence or even change people’s lives,” he says.

Since founding the studio, he has executed a series of striking renovations that create bold juxtapositions between old and new. In doing so, he finds a way of anchoring the modern in China’s cultural heritage—using proportions and spatial strategies that obey the old rules. At the teahouse, for example, the new buildings occupy the same footprints as previous structures on the site and the glass corridor serves as a modern extension of the courtyards it helps define. For the Rongbaozhai Coffee Bookstore, also in Beijing, Han preserved the pseudo–Classical Chinese facade from the 1980s in a sly nod to recent history, while inserting an elegant, almost Zen-like, interior where glass walls promote transparency and a coffee bar/cashier in the center of the main floor helps bring the bookstore into the 21st century. A skylit courtyard in the back of the store and planters set within slender iron bookshelves connect visitors to nature, an ancient theme in Chinese architecture. Like that found in traditional Chinese gardens, the nature here is “artificial,” carefully orchestrated to focus attention on particular views and to recall famous poems and paintings.

Han has worked on a number of projects for cultural organizations, transforming existing buildings into modern spaces for art. Not far from the bookstore, he took another traditional Chinese structure and created a sleek home for the Rongbaozhai Western Art Gallery. Using wood-slatted screens, a glass-enclosed stair, and cool white surfaces, he ensconces visitors in a cocoon of soothing materials and light. “I want my architecture to be slow-paced and friendly,” says Han, “and to create a harmony with nature and history.” He has also designed projects for the Lelege Art Space, a gallery in Beijing, and the Great Wall Museum of Fine Art, an old industrial building in Shandong Province he adapted for cultural uses. He is currently working on an organic-food factory and a waterfront teahouse, both in a rural part of Hebei Province.

Asked about his approach to history, Han says, “Architecture is like a man—it has a past and a future. When I renovate a building, I think it should reflect traces of time, because that is part of its story and shouldn’t be erased. New and old should be able to coexist and communicate with each other.”

Arch Studio

FOUNDED: 2010

DESIGN STAFF: Varies between 7 and 10

PRINCIPAL: Han Wen Qiang

EDUCATION: China Central Academy of Fine Arts, M.F.A, 2005; China Central Academy of Fine Arts, B.F.A., 2002

WORK HISTORY: Zhong Mei Han Mo Design, 2005–09

KEY COMPLETED PROJECTS: Rongbaozhai Coffee Bookstore, Beijing, 2015; Teahouse in Hutong, Beijing, 2015; Great Wall Art Museum, Zi Bo City, 2015; Renovation of Xinsi Hutong House, Beijing, 2014; Lelege Art Space, Beijing, 2014; Rongbaozhai Western Art Gallery, Beijing, 2013; Courtyard House, Beijing, 2010

Key Current PROJECTS: Villa in Hai Tang Gong She, Beijing, 2016; Organic Farm, Tangshan City, Hebei Province, 2016; Poly Music World, Beijing, 2016

www.archstudio.cn